JIM: What do you see in the future for The Painted Stone Settlers?
HAROLD: No. 1 - I’d like to see the membership grow. We are stretched and even though we have the best group of people we’ve ever had - if the event is going to grow we need to increase our own numbers to handle more crowds and more re-enactors.
JIM: Where do you see re-enacting going from here?
HAROLD: Every year there are more and more events and better events. The thing that makes it so fascinating is that you don’t need a Hollywood script. The adventure is there in history. It’s good clean family entertainment and people are thirsting for this knowledge.
JIM: How much time do you allow for this hobby?
HAROLD: Fortunately I can set my own schedule. I work a four day week and have the ability to take the time off when I need to.
JIM: How big a part is re-enacting in your life?
HAROLD: I would have to say it is a passion not just a hobby. As you grow in the pursuit of your personna you realize it is a passion.. As a re-enactor I was able to be involved with both of my kids. From the time my kids were big enough to keep up they’ve gone with me. My own family is not that close and my re-enactor friends are like a big brotherhood
JIM: How long have you known Gary Foreman of Native Sun Productions.
HAROLD: I met Gary in the spring of 1999. I was helping Neal Redmond of Driuid’s Oak, one of the best tailors in the business (most of my wardrobe comes from there) when I met Carolyn Raine the field producer for Native Sun. They were selling their video of Legends of the Old Northwest that had just been on the History Channel. I asked how you went about getting on a call list for one of their productions. She told me to send in a picture and bio. I never did send one in. Later they asked Neal about me and if I could ride a horse. I told them of course I was from Kentucky and I could ride a horse. They were casting the part of Patrick Ferguson and asked me a lot of questions. So I said well just how big is this part and they told me it was the lead. I was blown away. I worked on The Battle of New Orleans in May that year as an extra. Then we started the battle of Kings Mountain in July. I’ve played Squire Boone in the Boone and Crockett series. And I even played a Mexican officer as an assistant to Santa Anna.
JIM: How did the Patriot come about?
HAROLD: Actually we were at a Painted Stone meeting and Bobby Phillips had a flyer from the 2nd North Carolina Regiment that he belongs to asking for re-enactors to play extras. I sent them photos of me in my British officers uniform and some of me and Sean in colonial outfits. I came in one day and there was a call from Columbia Studios asking for a call back. They wanted us to be British. We went out and worked for 4 days. Not only did I get to portray a British officer but they put me in command of a whole unit. That in itself is a whole story for another day.
Back to Native Sun Productions. The only favor I ever asked of Gary was to let the two boys be in it. Not only did he give them a cameo but Sean worked that entire wekend on it. I knew it would always mean a lot to them. Later Gary met Dean And Turtle through me and they have also had parts in his films. I have done a few others for other companies and my most recent one was the one for Cumberland Gap - Gateway to the West for Native Sun Productions. That won an award for Best Documentary for the Western Heritage awards for 2002. Kevin played Israel Boone in that and had a great death scene and Sean played violin in that film.
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